And it's not the only wardrobe change she made.
The Eras Tour is officially in Europe. After taking a few months off, Taylor Swift is back on stage. Following her last shows in Singapore, which took place in March, Swift kicked off the European leg of her Eras Tour in Nanterre, a city in northwestern France, and added a few changes to the now-familiar show. One of the biggest was in her signature bejeweled bodysuit, which was previously pink but got a remix thanks to a new color scheme. The new version of the Versace bodysuit is a “fully crystal embroidered bodysuit with bustier boning structure and degradé of paillettes, in tones of orange with iridescent elements,” according to the brand, and adds a bit of depth to the previously peppy pink. It could be Swift leaning into a new Tortured Poets aesthetic, but there’s no telling whether she just wanted an update or if the change has a deeper meaning.
Swift topped off the look later in the set with another Versace creation: a "double-breasted blazer embellished in iridescent fuchsia crystals, accented by gold Medusa buttons" in a similar color. She finished the outfit with coordinating embellished boots and, of course, her red lipstick. The look was part the Lover portion of the show, which includes the track "The Man."
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Other changes to the set include the addition of The Tortured Poets Department to the introduction to the show. People also reports that Swift swapped in a shirt for “22” that has the line “This is not Taylor’s Version” printed on it.
Swift has also edited her setlist and cuts include “The Archer,” which was the final song of the Lover era; “Long Live," which was added to the Speak Now set; and the tracks “The Last Great American Dynasty,” “Willow” and “Tolerate It.”
“On the Eras Tour, we have now reunited the sisters [and] combined them into one chapter,” she said of bringing some of her eras together, joking fans can call the new section “Folkmore” or “Everlore.”
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New tracks from The Tortured Poets Department include "Down Bad,” “Fortnight," "I Can Do It With a Broken Heart," and “Who’s Afraid of Little Old Me?”